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Center for Black Music Research, Columbia College Chicago
618 S. Michigan, 6th Floor, Chicago, IL 60605

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Eileen Southern papers

Eileen Jackson Southern was born February 19, 1920 in Minneapolis, Minnesota to Walter Wade and Lilla (Gibson) Jackson. Southern gave her first piano recital at the age of 12 and made her debut in Chicago’s Orchestra Hall at age 19, playing a Mozart concerto with the Chicago Musical College Symphony Orchestra. Although she studied the traditional white classical genius of

National Association of Negro Musicians records

The National Association of Negro Musicians (NANM) was founded in Chicago in 1919 by a group of African-American professional musicians, and composers, to advance the education and careers of African American musicians. Among the founders of the organization were Nora Douglas Holt, Henry Lee Grant, Georgia Fraser Goins, R. Nathaniel Dett, Clarence Cameron White, Carl Diton, and Kemper Harreld, among

Paul Robeson Centennial Committee records

Paul Robeson was a famous African-American athlete, singer, actor, and advocate for the civil rights of people around the world. April 9, 1998 was the centennial of his birth, and the Paul Robeson Centennial Committee in Chicago was formed by a group of artists, educators and community activists to gather resource materials and plan projects and events to honor Robeson.

Richard E. Stamz papers

Richard E. Stamz (1906-2007) was a broadcast pioneer and active member of Chicago's Englewood community. His 1950s radio show on WGES, "Open the Door, Richard," helped promote and popularize urban black musical genres such as soul, blues, and gospel, and it was a prominent outlet for advertisers to reach African American audiences. The Richard E. Stamz papers span from 1919-2010

Theodore Charles Stone papers

Theodore Charles Stone (1912-1998) was a Chicago-based baritone operatic singer and journalist who served as president of both the National Association of Negro Musicians and Chicago Music Association. The Theodore Charles Stone papers span from 1929-2001 and provide insight into the African-American operatic music scene throughout the 20th century. Material includes programs, flyers, invitations to concerts and performances, subject and