Eileen Southern papers

Descriptive Summary

Title
Eileen Southern papers
Identifier
BMRC.CBMR.SOUTHERN
Repository
Center for Black Music Research, Columbia College Chicago
Language
English
Size
25.5 Linear feet
Predominant Dates
Bulk, 1974-1997
Dates
1903-1997
Creator
Southern, Eileen, 1920 February 19

Columbia College Chicago's Archives and Special Collections now manages the Center for Black Music Research collections, and is currently in the process of reviewing and standardizing CBMR finding aids. Please consult the Digital Commons site for available finding aids, including the complete guide to this collection.

Biographical note

Eileen Jackson Southern was born February 19, 1920 in Minneapolis, Minnesota to Walter Wade and Lilla (Gibson) Jackson. Southern gave her first piano recital at the age of 12 and made her debut in Chicago’s Orchestra Hall at age 19, playing a Mozart concerto with the Chicago Musical College Symphony Orchestra. Although she studied the traditional white classical genius of Bach and Beethoven, her music teachers, most of whom were white, also felt it important that she learn about black musicians such as R. Nathanial Dett. She attended and received degrees in musicology from the University of Chicago [BA, 1940, and MA, 1941) and taught at a variety of schools while pursuing a career as a concert pianist. According to her husband, the life of a concert pianist didn’t appeal to Southern, who turned her focus to scholarship, particularly the origins and development of black music. Southern received her PhD from New York University in 1961. Continuing her career in education she served as associate professor (1969–1971) and professor (1972–1974) of York College, City University of New York. In 1974 Southern began her tenure at Harvard University serving as lecturer in music and in 1976 she received full professorship and a dual appointment in Afro-American studies and music. With her new dual post Southern became Harvard’s first black female tenured professor and was appointed chair of the Afro-American Studies Department, serving from 1975–1979; she retired from teaching in 1987. Southern also authored, co-authored, or contributed to many works on musical history and black American music. From 1973 to 1990, Southern and her husband produced and served as editor sfor the well respected biannual journal The Black Perspective in Music. Eileen Southern died October 17, 2002 after living with Alzheimer’s for several years.

Scope and Contents note

The collection contains files on a number of musicians and composers, often including correspondence, which Southern used mainly to compile her biographical dictionary; files from her tenure at Harvard; miscellaneous academic and professional correspondence arranged by name of correspondent and then by date; files of materials concerning the Hyers Sisters and early African-American drama used for her editions of Out of Bondage and Peculiar Sam, Or, The Underground Railroad published as volume 9 of the series Nineteenth-Century American Music Theater (Garland Publishing, 1994); a collection of historical photographs used to compile her book Images: Iconography of Music in African-American Culture, co-authored with Josephine Wright (Garland Publishing, 2000); a collection of photographs of musicians and performers for publication in BPiM; photographs taken during trips to Africa; a collection of recorded interviews, some of which were published in BPiM, and a file of letters from composer, bandleader and publisher W. C. Handy to composer William Grant Still (1935–1958), also published in BPiM; a collection of sheet music by African-American composers including photocopies of nineteenth-century published music.

Custodial History note

Received from Joseph Southern, 2003.

Processing Information note

This collection was surveyed as part of the Black Metropolis Research Consortium's Survey Initiative on 2011 January 5 by Andrew Steadham.

Indexed Terms

Conditions for Access

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