Willard F. Motley Papers
Descriptive Summary
- Title
- Willard F. Motley Papers
- Dates
- 1939-1951
- Identifier
- BMRC.HARSH.MOTLEY_W
- Creator
- Motley, Willard, 1909-1965
- Language
- Documents in English
- Size
- 0.5 linear feet
- Repository
-
Chicago Public Library, Vivian G. Harsh Research Collection, Woodson
Regional library
Chicago Public LibraryCarter G. Woodson Regional LibraryVivian G. Harsh Research Collection of Afro-American History and Literature9525 S. Halsted St.Chicago, IL 60628
Indexed Terms
Access
No restrictions
Citation
When quoting material from collection, the preferred citation is: Willard Motley Papers, [Box #, Folder #], Chicago Public Library, Carter G. Woodson Regional Library, Vivian G. Harsh Research Collection of Afro-American History and Literature.
Provenance note
John and Anne Coyne donated the Willard Motley Papers to the Harsh Collection in December of 2002. William P. Schenk, who worked with Motley at Hull House Magazine, collected the clippings and correspondence he had with Motley between 1939 and 1951, and gave them to John and Anne Coyne.
Biographical Note
Willard Francis Motley was born on July 14, 1909 in Chicago, Illinois, and spent his childhood in the racially diverse community of Englewood on Chicago's Southside. Born to a middle class family, his father Archibald Sr. worked as a Pullman porter for a railroad that ran between Chicago and New York, while his mother Mary was the primary caretaker and influence. Archibald John Motley, Jr., (known as Willard's brother though he was actually an older cousin) was becoming a well-known artist during Willard Motley's childhood.
Though known as a writer concerned with the plight of the poor, Motley reports experiencing very little racial discrimination as a child. He notes that, although the Motley's were the only black family in their immediate neighborhood, their white neighbors defended them during the Chicago riot of 1919, and Willard was a well-liked and active student at Englewood High School.
When Motley was 13, he submitted a short story for publication in the Chicago Defender. Published in three installments during September and October of 1922, the short story led Robert S. Abbott to hire Motley to write a weekly children's column, under the pen name Bud Billiken from December 1922 to July 5, 1924.
After graduating high school, and unable to afford college, Motley initially found little success as a writer for an adult audience. Faced with a steady stream of rejections from popular magazines, Motley left his parents home in order to gain more life experience and to gather material for writing. During this time, Motley traveled once to the East Coast by bicycle, and twice to the West Coast by car, until he settled permanently in a slum near Chicago's Maxwell Street. During his travels west Motley gained material for his most successful novel, Knock on Any Door, after meeting a Mexican boy named Joe, while Motley were in a Denver jail for stealing gasoline.
Once back in Chicago, Motley began going to Hull House, located at 800 S. Halsted, founded by Jane Addams in 1889. In the 1930s, it was a gathering place for young intellectuals and radical artists and writers. It was there that Motley met William P. Schenk (known as Peter) and Alexander Saxton. Saxton and Schenk would become integral to Motley's development as a writer. More widely read than Motley, they introduced him to a host of authors such as John Steinbeck, Ben Hecht, and Emily Dickinson, and broadened his literary exposure. Together, they founded Hull House Magazine, a small literary journal, which became the testing ground for Motley's work. In 1940, Motley was accepted to the WPA Federal Writers Project.
From 1940 to 1943, Motley conducted the research for his first novel, Knock on Any Door by visiting reform schools, prisons, and other neighborhoods around Chicago. Ultimately, the novel became a sociological and artistic study of a lower class Italian boy named Nick Romano, which placed Motley in the tradition of "naturalists" such as Theodore Dreiser and Richard Wright. In order to uphold the novel's projected image as a "raceless novel," Motley refused to have his photograph printed anywhere on the book, in an attempt to avoid the label of "Negro author." Knock on Any Door became widely successful upon its publication in 1947, selling 47,000 copies in three weeks, and 350,000 copies in two years. In 1949, Humphrey Bogart, along with director Nickolas Ray, produced a film based on the novel. Subsequently, Motley went on to publish We Fished All Night (1951), Let No Man Write My Epitaph (1960), Let Noon Be Fair (1966), and, posthumously, The Diaries of Willard Motley (ed. Jerome Klinkowitz, 1979).
Motley died on March 4, 1965, in a Mexico City hospital, of intestinal gangrene. At the time, and due in part to the shift from naturalist and "raceless" novels to authors who emphasized race, Motley was living a meager lifestyle after his decline in popularity.
Scope and Content
The Willard Motley Collection contains correspondence written from Motley to William P. Schenk during the time they worked at Hull House Magazine, along with invitations to various events celebrating the publication of Knock on Any Door. Additionally, there are newspaper clippings documenting the reception of the novel, and its release as a film in 1949.
The papers in this collection include eleven letters written or sent by Motley to William P. Schenk regarding Hull House Magazine affairs, feedback on writings submitted for publication, and invitations to publicity events. Also, there are sixty newspaper clippings documenting the publication and reception of Knock on any Door, as a book and film, and two articles written by Motley, published in The Commonweal and Opportunity magazines. It is noted that, when Schenk met his wife, Beatrice, at the University of Chicago, she thought that the "P" in William P. Schenk stood for Peter. The "P" actually stands for Paul. As a result, Schenk was known as Peter during this time, and the correspondence from Motley to Schenk is addressed to "Peter."
While these papers, located at the Harsh Collection, revolve around a very specific interaction between Motley and Schenk, the bulk of Willard Motley's papers can be found in the Special Collections Division, Northern Illinois University Library.
Processing Information note
This collection was surveyed as part of the Black Metropolis Research Consortium's Survey Initiative on 2010 September 8 by Bergis Jules.
The collection was processed during the University of Chicago's Mapping the Stacks project.
Inventory
- Title
- Motley, Willard to Motley, Willard to Schenk, William Peter, 9/30/1943
- Title
- Motley, Willard to Schenk, William Peter, 12/25/1943
- Title
- Motley, Willard to Schenk, William Peter, 3/35/47
- Title
- Motley, Willard to Schenk, William Peter, 5/12/1947
- Title
- Motley, Willard to Schenk, William Peter, 5/26/1947
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- Motley, Willard to Schenk, William Peter, undated
- Title
- "First Generation of Artists," Survey Graphic, March 1939
- Title
- "Religion and the Handout," Catholic Digest, May 1939
- Title
- "Among the Authors," Chicago Tribune, 1/19/1947
- Title
- "Among the Authors," Chicago Tribune, 4/27/1947
- Title
- "A Terrifying Cross Section of Chicago," Chicago Tribune, 5/4/1947
- Title
- "A Terrifying Cross Section of Chicago," Chicago Tribune, 5/4/1947
- Title
- "Disciple of Dreiser," NY Times, 5/4/1947
- Title
- "Books in the News," Chicago Daily News, 5/5/1947
- Title
- "Realistic Novel of the Chicago Slums," Chicago Sun, 5/11/1947
- Title
- "Knock on Any Door," Chicago Tribune, 5/11/1947
- Title
- "The Known City," New Republic, 5/12/1947
- Title
- "Knock on Any Door," Chicago Daily News, 5/14/1947
- Title
- "Worth Noting: A Tribute to a Talented Writer," Chicago Sun, 5/18/1947
- Title
- "Honor Author," Chicago Sunday Times, 5/18/1947
- Title
- "Best Sellers in Midwest," Chicago Tribune; 5/18/1947
- Title
- "Chicago in Naturalistic Novel," NY Herald Tribune, 5/18/1947
- Title
- "It's a Smash Hit! Knock on Any Door," Chicago Daily News, 5/23/1947
- Title
- "From Alter-Boy to Killer," The Saturday Review, 5/24/1947
- Title
- "Other Books," Newsweek, 5/26/1947
- Title
- "Knock on Any Door-And Write a Book," Chicago Sun Times, 5/27/1947
- Title
- "Knock on Any Door- And Write a Book," Chicago Times, 5/27/1947
- Title
- "Chicago Tragedy," New Masses, 6/17/1947
- Title
- "His Fiction Realistic? He Even Went to Jail to Obtain Background," Chicago Sun, 6/22/1947
- Title
- "His Fiction Realistic? He Even Went to Jail to Obtain Background," Chicago Sun, 6/22/1947
- Title
- "Books for Men," True Magazine, August 1947
- Title
- "The Carrot or the Club: Writers Break the Ice," Ebony, August 1947
- Title
- "Willard Motley: Ex-Tramp Spent Eight Years Writing Long 600,00 Word Best Seller--All in Pencil," Ebony, September 1947
- Title
- "Sunday Radio Highlights," Chicago Daily News, 9/13/1947
- Title
- Adults Cause Juvenile Crime, Willard Motley Tells Forum," Chicago Daily News, 9/26/1947
- Title
- "Knock on Any Door," Look, 9/30/1947
- Title
- "Book Day," Chicago Sun, 10/1/1947
- Title
- "Notable Appleton-Century Books for Christmas Giving," The Saturday Review, 12/6/1947
- Title
- "Mark Hellinger, A Film Producer," NY Times, 12/22/1947
- Title
- "Briefly Noted," The New Yorker, 1947 (?)
- Title
- "Live Fast...Die Young!" Parade, 6/20/1948
- Title
- "Kup's Column," Chicago Sun-Times," 9/21/1948
- Title
- "Humphrey Bogart in Knock on Any Door," NY Times, 2/20/1949
- Title
- "Dramatic Action on the High Seas and in the Court Room," NY Times, 2/20/1949
- Title
- "'Knock' No Boost," NY Times, 2/27/1949
- Title
- "The Current Cinema," The New Yorker, 3/5/1949
- Title
- "Movies: Suffering Humanity," New Republic, 3/7/1949
- Title
- "Currently," This Week in Chicago, 3/12/1949
- Title
- "Cinema- Knock on Any Door," Time Magazine," Time Magazine, 3/14/1949
- Title
- "Humphrey Bogart 'Knock on Any Door," Look, 3/15/1949
- Title
- "Bogey and Baby," Chicago Herald American(?) 3/23/1949
- Title
- "Baby-Faced Killer," Silver Screen, March 1949
- Title
- "Film Newcomer John Derek Scores Triumph in 'Knock on Any Door'," Chicago Suntimes 4/3/1949
- Title
- "Big Christmas Book Week," Chicago Sun Times, 12/2/1949
- Title
- "Vet Seeks Peace of Mind on Island in Lake Fire," Chicago Sun Times, 12/4/1949
- Title
- "Humphrey Bogart 'Knock on Any Door," 1949(?) [N.P.]
- Title
- "Books of the Times," NY Times, 11/16/1951
- Title
- "Into The Lower Depths," NY Times, 11/18/1951
- Title
- "Motley's 2d Novel Lacks Unifying Idea," Chicago Sun Times, 11/25/1951
- Title
- "Motley's Cynical Study in Futility," Chicago Tribune, 11/25/1951
- Title
- "Mr. Motley's Chicago, Big and Grim," NY Herald Tribune, 11/25/1951
- Title
- "A Subtle Change on Halsted Street," no location, undated
- Title
- "Small Town Los Angeles," The Commonweal, 6/30/1939
- Title
- "Negro Art in Chicago," Opportunity- Journal of American Life, January 1940