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Chicago (Ill.)--Social life and customs (6)     x 1970s (6)     x clear facets
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Coach Jim Brown of DuSable High School collection of visual materials

Photographs relating to the career of Coach Jim Brown, who coached football, baseball, and basketball teams and taught at DuSable High School (Chicago, Ill.) in the 1950s and 1960s. Images include his George Williams College Graduating Class of 1949; Jim Brown playing baseball for the Great Lakes Naval Training Center and playing basketball for Southern University; DuSable sports teams with

Eleanor Page papers

Correspondence, newsclippings, and drafts of some newspaper columns of Eleanor Page Voysey, Society Editor for the Chicago Tribune (under the name "Eleanor Page"). Most of the material consists of information gathered by her in the late 1960s/early 1970s, while she was preparing columns about African American high society in Chicago and about "The Star-Spangled Banner." Other topics include architecturally significant

Les Cameos archives

Les Cameos is an African American women’s social organization founded in 1951 as a group of mothers of Girl Scouts, but which continued as a club with parties and charitable events.

Maxwell Street Exhibition photographs

Views of residents of Maxwell Street area of Chicago (Ill.) 1966-1983. Include buyers and sellers at the Maxwell Street market and goods for sale. Also includes unposed views of people dancing, singing, lounging on the streets. James Newberry, photographer.

Sheila Malkind Photographs

Malkind, a Chicago photojournalist, worked for the Ruth Page Foundation from 1981 to 1992. Her photographs primarily feature cultural life in Chicago, dance and performing arts events, as well as her personal life. The collection also includes clippings, correspondence, publicity materials, written work by Malkind and Ruth Page, and audio recordings.

Theodore Charles Stone papers

Theodore Charles Stone served as president of the Chicago Music Association (CMA) for more than 50 years and as president of the National Association of Negro Musicians (NANM). His papers include correspondence, programs, photographs, clippings and memorabilia documenting his career as a concert baritone, his work in the CMA and NANM, and his work as a music writer for several