Leon Forrest (1937-1997) Papers 1952-1999

Descriptive Summary

Collection Title
Leon Forrest (1937-1997) Papers 1952-1999
Identifier
BMRC.NU.FORREST
Identification
inu-ead-nua-11/3/1/3
Collector
Forrest, Leon
Physical Description
11.00 Boxes 6.43 Linear feet
Language of Materials
English
Repository
Northwestern University Archives
Deering Library, Room 110
1970 Campus Dr.
Evanston, IL, 60208-2300
URL: http://www.library.northwestern.edu/archives
Email: archives@northwestern.edu
Phone: 847-491-3354
Abstract
Leon Richard Forrest was born January 8, 1937 at Cook County Hospital in Chicago to Adelaide Green Forrest (1920-1964) and Leon Forrest, Sr. (1918-1971). Forrest served as chairman of the Northwestern African American Studies department from 1985 to 1994, and also held a professorship in the English department.The Leon Forrest Papers consist of 8 boxes spanning the years 1954 to 1998. The bulk of the papers consist of manuscripts and proofs of his first four novels, along with some biographical files and Northwestern class and research notes.

Biographical Information

Leon Richard Forrest was born January 8, 1937 at Cook County Hospital in Chicago to Adelaide Green Forrest (1920-1964) and Leon Forrest, Sr. (1918-1971). His mother's family was Catholic and from New Orleans. His father's family were Baptists from Bolivar County, Mississippi. Leon Forrest Sr., who worked as a bartender on the Santa Fe railroad, moved to Chicago with his wife and grandmother in the late 1920s. Leon Forrest's great-grandmother Katie helped raise him until the age of nine. His father composed song lyrics and did some recording and his mother loved music and wrote short stories.

Forrest grew up in a middle-class African-American neighborhood on the South Side of Chicago. He attended Wendell Phillips, an all African-American elementary school where he won the American Legion Award as the best male student in his class. A friend of Forrest's father let the family use his address so that Leon could attend the highly regarded and racially integrated Hyde Park High school. A mediocre student, Forrest excelled in creative writing. He went on to attend Wilson Junior College (later Kennedy-King College). His parents divorced in 1956. When Forrest's mother remarried, she and her husband opened a liquor store where Leon worked as clerk and relief bartender while attending Roosevelt University. He took courses in journalism and playwriting at Wilson and Roosevelt and briefly studied accounting.

In 1960 Forrest took a playwriting course at the University of Chicago, but soon dropped out of college and was drafted. He spent his tour of duty in Germany working as a Public Information specialist, reporting on troop training and writing feature stories for the division newspaper. He wrote plays in his off-duty hours.

Upon his discharge, Forrest returned to his parents' liquor store to tend bar while taking extension courses at the University of Chicago. There he met and befriended Professor Allison Davis, social anthropologist, and educational philosopher and English professor John G. Cawelti.

Shortly after attending the March on Washington in August 1963, Forrest moved into a small room in a building filled with musicians, painters, retired professors and writers. Forrest purchased a typewriter and began his first novel while working as an office boy for the Catholic Interracial Council's Speakers Bureau. His play, Theatre of the Soul, was performed at the Parkway Community House, Chicago, in November 1967.

By 1970 Forrest had written for and edited several South Side community newspapers, among them The Woodlawn Booster, The Englewood Bulletin, The Chicago Bulletin (1964-1967), and The Woodlawn Observer (1967-1970). In 1969 Forrest joined Muhammad Speaks, the newspaper of the Muslim movement, as associate editor, writing on the arts. He was promoted to managing editor in 1972, serving for a year. He was the last non-Muslim editor of this newspaper.

On September 25, 1971, Forrest married Marianne Duncan. That year he completed his first novel, There is a Tree More Ancient than Eden, parts of which had been published previously. Saul Bellow's praise for the work (box 1, folder 8) was helpful in achieving publication in May of 1973. Ralph Ellison wrote the forward for There is a Tree More Ancient than Eden, endorsing it to Random House editor Toni Morrison. The next year Forrest published a six-hour interview with Ellison in Muhammad Speaks (box 7, folder 2). In 1977 Random House published Forrest's second novel, The Bloodworth Orphans. Forrest's verse-play Recreation was set to music and performed in 1978. In 1982 Soldier Boy, Soldier, an opera (box 8), was produced at the University of Indiana, Bloomington. In 1984 Random House published Forrest's third novel, Two Wings to Veil My Face. This won Forrest the DuSable Museum Certificate of Merit and Achievement in Fiction, the Carl Sandburg Award, the Friends of Literature Prize and the Society of Midlands Authors Award for fiction. April 14, 1985, was proclaimed by Chicago Mayor Harold Washington as Leon Forrest Day (box 1 folder 3).

In 1987 Another Chicago Press brought out Forrest's first three novels in paperback. Toni Morrison wrote the forward for Two Wings to Veil My Face (box 4, folder 3). Another Chicago Press published a paperback version of Forrest's fourth novel, Divine Days, in July 1992, but a fire destroyed most of the copies and Another Chicago Press's distributor went bankrupt. Despite these setbacks, the book received the Chicago Sun-Times Book of the Year Award for best local fiction (box 1, folder 5). The next year Another Chicago Press and W. W. Norton issued a hardback version of Divine Days and Norton published a paperback version in January 1995. The literary magazine"Calalloo" devoted part of its Spring 1993 (V. 16 no. 2) issue to Forrest's writings.

Among the articles Forrest wrote for Chicago journals were Soul in Motion on ecstasy in the Black Baptist Church (Chicago Magazine July 1985), and an article for the Chicago Tribune Bookworld (April 24, 1994), Remembering Ralph Ellison (box 7, folder 2). A collection of Forrest's essays, entitled Furious Voice for Freedom, came out in 1992 and was reprinted as a paperback as Relocations of the Spirit in March, 1994. When Ralph Ellison died the next month, Forrest was selected to deliver the eulogy. In 1997 Forrest received a special honor, a 60th birthday party at the Art Institute of Chicago, which had not hosted a similar event since honoring Saul Bellow twenty years before.

Forrest cited many influences on his writing, among them African American oral tradition such as the blues, jazz and particularly Charlie Parker, the oral and written works of Dylan Thomas, the religions of his parents and the writings of William Faulkner, Eugene O'Neill and Ralph Ellison.

Forrest's twenty-four year teaching career began in 1973, after a meeting with Jan Carew, chair of the recently created Northwestern University Department of African American Studies. Dean of the College of Arts and Sciences Hannah Gray offered Forrest a five-year contract as Associate Professor teaching African American literature and creative writing.

Forrest was recommended for tenure by Provost Raymond Mack in 1978, and two committees voted in favor of tenure, but Dean Rudolph Weingartner refused. In 1981 Forrest gave the inaugural Allison Davis lecture, an annual Northwestern University event (box 2, folder 1) on Herman Melville's Benito Cereno (notes box 2, folder 3). In the spring of 1984 Forrest was promoted to full professor by Dean Weingartner.

Forrest served as chairman of the Northwestern African American Studies department from 1985 to 1994, and also held a professorship in the English department. He served on the Diversity Committee and the Alliance for Success, an organization supporting the advancement of minorities at Northwestern University. Forrest lectured at several U.S. universities, including Yale, Brown, Tufts, Wesleyan, Notre Dame and Harvard. He had a reputation as a masterful teacher, innovator, and mentor and challenging author. His most popular courses included Survey of African American Literature, Literary Techniques in Creative Writing, Art of James Baldwin, Black Presence in Faulkner, Literature of Deviance, Dosteovsky's Way, Studies in Spiritual Agony and Rebirth, Sermons in the Bible, Black Families in Literature, Art of Ralph Ellison and Five Major Poets.

Leon Forrest taught until his death, which came after a long bout with prostate cancer, on November 6, 1997. He was honored in a memorial ceremony at Northwestern on January 30, 1998. Forrest's novel Meteor in the Madhouse was published posthumously in 2000.

Indexed Terms

This Collection is indexed under the following controlled access subject terms.

Indexed Terms

Indexed Terms

Indexed Terms

Administrative Information

Acquisition Information

The Leon Forrest Papers include materials transferred to the University Archives by the Department of African-American Studies (Accession No. 93-106 on August 18, 1993), and materials donated by Kathleen Bethel (Accession No. 97-154 on September 8, 1992), by Leon Forrest (Accession No. 96-95 on June 25, 1996), and by Marianne Forrest via Jerral West (Accession No. 98-115 on June 26, 1998). Biographical materials from the University Archives' Faculty Biographical Files were also incorporated into the Papers. Addition: 1954-1999, Boxes 9-11". This addition to the Leon Forrest Papers was donated to the University Archives by Marianne Forrest on August 17, 2001, as Accession Number 01-134. Addition: 1978, Box 8: This score was separated from Accession Number 03-104, Records of the Music School, on July 14, 2003.

Processing Information

Peter Gunther February 7, 2001.

Addition, 1954-1999: Boxes 9-11. Janet Olson, December 2001.

Addition, 1978: Box 8. Janet Olson, July 2003.

This collection was surveyed as part of the Black Metropolis Research Consortium's Survey Initiative on 2010 March 1 by Lisa Calahan and Lauren Kalal.

This collection was also included in the set of finding aids and accompanying website created by the University of Chicago's Uncovering Chicago Archives Project (UNCAP), funded by the Andrew W. Mellon Foundation from 2007 to 2010.

Separated Materials

Approximately four inches of duplicate or extraneous matter were discarded. Three wooden liquor boxes, which originally housed Forrest's manuscripts, were transferred to the University Archives' artifacts collection.

Related Archival Materials note

Within this repository: Cyrus Colter Papers, William H. Exum Papers.

Conditions Governing Use

Permission to use Box 1, Folder 9 must be sought from the University Archivist.

Scope and Contents

Biographical Files are arranged chronologically. Biographical materials include Forrest's curriculum vitae and a chronology of his life and works (box 1, folder 1), a photocopy of pages from the family bible listing significant birthdays and events (box 1, folder 2), awards and certificates, photocopies of pages from "Aitchpe", his Hyde Park High School yearbook, newspaper clippings, and correspondence (relating mostly to his work at Northwestern). The records within each file are arranged chronologically.

The Northwestern University sub-series is comprised mostly of class notes and research notes for his classes and writings. These notes are in no particular order. There are also folders relating to his teaching and as head of the Department of African American studies. The records within these three folders are arranged chronologically.

Folders in the Books and Publications sub-series contain manuscripts, galley and page proofs of his first four novels, and other writings. The folders containing the novels, "There is a Tree More Ancient than Eden," “Sub-Rosa”—published previously and later incorporated into "There is a Tree More Ancient than Eden–The Bloodworth Orphans", "Two Wings to Veil My Face," and "Divine Days" are arranged in order of publication. Of particular interest is the forward, signed by Toni Morrison to "Two Wings to Veil My Face" (box 4, folder 3). This sub-series also includes articles by and about Forrest, the libretto to the opera "Soldier, Boy Soldier," reviews of Forrest's books, and the manuscript for "Leon Forrest, Introduction, and Interpretation," a collection of literary critiques of Forrest's work edited by his friend John C. Cawelti. Box 8 contains the undated musical scores for"Ancestral Voices" and "Soldier Boy, Soldier" with music by composer T. J. Anderson and words by Forrest.

Detailed List of Contents

Biographical
Box 1
Folder 1
Title
Personal data
Dates
n. d.
Box 1
Folder 2
Title
Forrest Family
Dates
1911-1993
Box 1
Folder 3
Title
Awards
Dates
1954-1998
Box 1
Folder 4
Title
Yearbooks
Dates
1952-1954
Box 1
Folder 5
Title
Clippings
Dates
1975-1992
Box 1
Folder 6
Title
Obituaries
Dates
1997-1998
Box 1
Folder 7
Title
Programs including Leon Forrest or his work
Dates
1976-1994
Box 1
Folder 8
Title
Correspondence I
Dates
1975-1991
Conditions Governing Access

Restricted

Box 1
Folder 9
Title
Correspondence II
Dates
1992-1997
Northwestern University
Box 1
Folder 10
Title
African American Studies Department Salaries
Dates
1982-1987
Conditions Governing Access

Restricted

Box 1
Folder 11
Title
Grade sheets/Student evaluations
Dates
1976-1996
Box 1
Folder 12
Title
Class Notes I
Dates
n. d.
Box 1
Folder 13
Title
Class Notes II
Dates
n. d.
Box 1
Folder 14
Title
Alliance For Success
Dates
1989
Box 2
Folder 1
Title
Allison Davis Lecture and Writings
Dates
1993-1994
Box 2
Folder 2
Title
Notes on Romare Beardon
Dates
n. d.
Box 2
Folder 3
Title
Notes on
Dates
n. d.
Box 2
Folder 4
Title
Notes on Ralph Ellison
Dates
n. d.
Box 2
Folder 5
Title
Notes on Toni Morrison
Dates
n. d.
Box 2
Folder 6
Title
Notes on Richard Wright
Dates
n. d.
Box 2
Folder 7
Title
Notes on the Blues
Dates
n. d.
Box 2
Folder 8
Title
Various Notes
Dates
n. d.
Books and Publications
Box 2
Folder 9
Title
Manuscript: Sub-Rosa
Dates
n.d.
Box 2
Folder 10
Title
Manuscript: There is a Tree More Ancient Than Eden, pp. 1-100
Dates
n. d.
Box 2
Folder 11
Title
Manuscript: There is a Tree More Ancient Than Eden, pp. 101-196
Dates
n.d.
Box 2
Folder 12
Title
Galley Proofs: Sub-Rosa
Dates
n.d.
Box 3
Folder 1
Title
Page Proofs: There is a Tree More Ancient Than Eden
Dates
1973
Box 3
Folder 2
Title
Manuscript: Bloodworth Orphans pp. 1-100
Dates
n. d.
Box 3
Folder 3
Title
Manuscript: Bloodworth Orphans pp. 101-200
Dates
n. d.
Box 3
Folder 4
Title
Manuscript: Bloodworth Orphans pp. 201-300
Dates
n. d.
Box 3
Folder 5
Title
Manuscript: Bloodworth Orphans pp. 301-400
Dates
n. d.
Box 3
Folder 6
Title
Manuscript: Bloodworth Orphans pp. 401-489
Dates
n. d.
Box 3
Folder 7
Title
Galley Proofs: Bloodworth Orphans pp. 1-245
Dates
n. d.
Box 3
Folder 8
Title
Galley Proofs: Bloodworth Orphans pp. 246-384
Dates
n. d.
Box 3
Folder 9
Title
Galley Proofs: Bloodworth Orphans pp. 1-233
Dates
n. d.
Box 3
Folder 10
Title
Galley Proofs: Bloodworth Orphans pp. 234-383
Dates
n. d.
Box 4
Folder 1
Title
Page Proofs: Bloodworth Orphans
Dates
1992
Box 4
Folder 2
Title
Copy Page Proofs: Bloodworth Orphans, Introduction and Chapter 1–Another Press edition
Dates
n. d.
Box 4
Folder 3
Title
Manuscript of forward for Two Wings to Veil My Face by Toni Morrison
Dates
n.d.
Box 4
Folder 4
Title
Manuscript: Two Wings to Veil My Face pp. 1-100
Dates
n. d.
Box 4
Folder 5
Title
Manuscript: Two Wings to Veil My Face pp. 101-200
Dates
n. d.
Box 4
Folder 6
Title
Manuscript: Two Wings to Veil My Face pp. 201-300
Dates
n. d.
Box 4
Folder 7
Title
Manuscript: Two Wings to Veil My Face pp. 301-409
Dates
n. d.
Box 4
Folder 8
Title
Galley Proofs: Two Wings to Veil My Face pp. 1-136
Dates
1983
Box 4
Folder 9
Title
Galley Proofs: Two Wings to Veil My Face pp. 137-297
Dates
1983
Box 5
Folder 1
Title
Galley Proofs: Two Wings to Veil My Face
Dates
1983
Box 5
Folder 2
Title
Page Proofs: Two Wings to Veil My Face
Dates
1983
Box 5
Folder 3
Title
Manuscript: Divine Days pp. 1-151
Dates
n. d.
Box 5
Folder 4
Title
Manuscript: Divine Days pp. 152-314
Dates
n. d.
Box 5
Folder 5
Title
Manuscript: Divine Days pp. 315-545
Dates
n. d.
Box 6
Folder 1
Title
Manuscript: Divine Days pp. 546-699
Dates
n. d.
Box 6
Folder 2
Title
Manuscript: Divine Days pp. 700-850
Dates
n. d.
Box 6
Folder 3
Title
Manuscript: Divine Days pp. 851-1000
Dates
n. d.
Box 6
Folder 4
Title
Manuscript: Divine Days pp. 1001-1300
Dates
n. d.
Box 6
Folder 5
Title
Manuscript: Divine Days pp. 1301-1440
Dates
n. d.
Box 6
Folder 6
Title
Manuscript: Divine Days pp. 1441-1650
Dates
n. d.
Box 7
Folder 1
Title
Manuscript: Divine Days pp. 1651-1829
Dates
n. d.
Box 7
Folder 2
Title
Articles by Leon Forrest
Dates
1972-1996
Box 7
Folder 3
Title
Libretto to
Dates
n. d.
Box 7
Folder 4
Title
Two book jackets
Dates
1977-1984
Box 7
Folder 5
Title
Reviews of Leon Forrest's Works
Dates
1972-1997
Box 7
Folder 6
Title
Articles about Leon Forrest
Dates
1982-1995
Box 7
Folder 7
Title
Manuscript: Leon Forrest, Introduction, and Interpretation; Ed. John C. Cawelti pp. 1-184
Dates
1997
Box 7
Folder 8
Title
Manuscript: Leon Forrest, Introduction, and Interpretation; Ed. John C. Cawelti pp. 185-358
Dates
1997
Box 9
Folder 1
Title
Correspondence: T.J. Anderson
Dates
1980-1985
Musical Scores for Ancestral Voices and Soldier Boy, Soldier
n.d.
Teaching files
Box 9
Folder 2
Title
Syllabus, African-American Studies A45 (“The Oral Tradition and the Creative Process”)
Dates
n.d.
Box 9
Folder 3
Title
Grade books
Dates
1972-1999
Box 9
Folder 4
Title
Master's Thesis by Sarah E. Hoisington
Dates
1997
Publications
Box 9
Folder 5
Title
Meteor in the Madhouse (page proofs and cover letter)
Dates
1999
Box 9
Folder 6
Title
Draft: To the Magical Memory of Rain (part of ) Meteor in the Madhouse
Dates
n.d.
Box 9
Folder 7
Title
Draft: By Dawn's Early Light: The Meteor in the Madhouse
Dates
n.d.
Box 9
Folder 8
Title
Synopsis and notes: The Adventures of Joubert Jones
Dates
n.d.
Box 9
Folder 9
Title
Drafts and notes: Meteor in the Madhouse (1 of 4)
Dates
n.d.
Box 10
Folder 1
Title
Drafts and notes: Meteor in the Madhouse (2 of 4)
Dates
n.d.
Box 10
Folder 2
Title
Drafts and notes: Meteor in the Madhouse (3 of 4)
Dates
n.d.
Box 10
Folder 3
Title
Drafts and notes: Meteor in the Madhouse (4 of 4)
Dates
n.d.
Box 10
Folder 4
Title
Notes: “New Works, Sources and Resources”
Dates
n.d.