Results 1 to 5 of 5
Abraham, Alton. Collection of Sun Ra
Alton Abraham (1927-1999), entrepreneur and hospital technician, was a longtime friend and business associate of Sun Ra (1914-1993), the influential jazz composer and musician. Alton Abraham collected manuscripts, business records, printed ephemera, artifacts, photographs, audio and video recordings, and other documents of his work with Sun Ra. The collection contains textual, graphic, and audio-visual records of the work of Sun
Hyde Park-Kenwood Community Conference. Records
The Hyde Park-Kenwood Community Conference was formed in 1949 to "to build and maintain a stable interracial community of high standards." The collection contains correspondence, memoranda, meeting agendas and minutes, budgets and fundraising material, by-laws, directories, reports; press releases, surveys, newsletters, brochures, clippings, photographs, an audio reel, maps, posters, flyers, pamphlets, booklets, and other documents representing the activities of the
Lewis, Eva Overton and Julian Herman Lewis, MD, PhD Collection
Julian Herman Lewis (1891-1989) was a pathologist, educator, and author of The Biology of the Negro (1942), a groundbreaking investigation of contemporary scientific data and literature on African-American physiology and pathology that resisted and rebuked scientific notions of racial inferiority. His wife, Eva Overton Lewis (1893-1945), was the daughter of entrepreneur Anthony Overton and a graduate of the University of
Spike, Robert W. Papers
The Reverend Doctor Robert Warren Spike (1923-1966) was a minister, theologian, and activist who served as the first Executive Director of the Commission on Religion and Race of the National Council of Churches and Professor of Ministry and Director of the Doctor of Ministry Program in the Divinity School of the University of Chicago. A leader in mobilizing church involvement
Steiner, John. Collection
John Steiner, jazz collector, record producer, chemist. The John Steiner Collection contains sheet music, articles, photographs, scrapbooks, correspondence, interviews, ephemera, and publications. The collection spans 140 years and documents Chicago jazz and blues, musicians, clubs, printed music, recording companies, and recording technology.