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American Women Composers Midwest, Inc. (AWCMI) collection
This collection documents the administration, financing, and programming of American Women Composers Midwest, Inc. from its founding meeting in 1982 to 2001. Also included are a small number of documents from 1977 - 1982 relating to the parent national organization. Materials include correspondence, meeting minutes and agendas, reports, incorporation papers, financial records, brochures, press releases, concert programs, published reviews, grant
Biographical and Correspondence Files
Roosevelt’s founding in 1945 as an independent, nonsectarian, coeducational institution of higher learning was a feat requiring considerable courage. The new administration was determined to make higher education available to all students who could qualify academically. Considerations of social or economic class, racial or ethnic origin, sex, or age were, and remain, irrelevant in determining who is admitted. Originally named
Chicago Children's Choir Records
Administrative files, promotional materials, photographs, clippings, audio tapes, information on personnel and singers, etc. Founded in 1956 by the Reverend Christopher Moore, and through 1980 an activity of Hyde Park’s First Unitarian Society of Chicago, the CCC grew into an independent music-education program-one of the largest in the country. Moore’s personal papers are also included in the collection.
Christopher Robert Reed Papers
Christopher Reed (1942 - ) is an author and historian who specializes in the history of African Americans in Chicago. From 1987 to 2009, he served as a professor at Roosevelt University. Aside from his academic pursuits, Dr. Reed serves on the Commission on Chicago Landmarks and various community organizations on the city’s West Side. The Christopher Reed papers span
James Francis Driscoll Collection of American Sheet Music
The Driscoll Collection of American Sheet Music, amassed by engineer and organist J. Francis Driscoll (1875-1959), is one of the largest and most representative collections of its kind. The approximated 80,000 pieces of sheet music and related material were arranged into sections by Driscoll himself, and reflect his collecting interests and preferences. Some of the music is arranged according to